The Patagonians

The Patagonians

A single-player adventure with horror elements.
The levels of the game are filled with creepy monsters, riddles and a frightening atmosphere.

The daughter of the protagonist of the game disappears on her tenth birthday.
He rushes in search and accidentally learns that she was seen at the abandoned mansion of the founders of the city.
Going there, the hero will remember what he should not remember.

Tips & Tricks for The Patagonians

The game is controlled using the keyboard.
Use the following buttons to control your character: WASD -move the character, SPACE - jump, SHIFT - run, E - action, LMB - attack, RMB - secondary weapon, TAB - pause.
Use headphones for a better immersion in the atmosphere of the game.
Attention arachnophobes - there are large arachnid monsters in the game.
Also in the game there are sudden and frightening sounds.

Game Mechanics Overview

In the game you are waiting for:
- simple controls
- interesting story
- unique monsters
- bosses
- original 2D graphics
- atmospheric soundtrack

Which development environment or library is used for the game’s interactivity?

The engine that powers this game is WebGL.

What is the name of the game developer?

The development team behind this game is RDV Indie Games.

Under which genre is this game classified?

This title fits into the Adventure game category.

What tags are relevant to this game?

The key characteristics or tags for this game are 1player, 2d, horror, platformer.

Is this game tailored for any particular gender?

The game is aimed at Male & Female players.

Does the game contain violent or cruel elements?

Yes, there is violence or cruelty depicted in The Patagonians.

Which age ranges are appropriate for playing this game?

This game is most appropriate for Kids, Teens, Young Adults, Adults, Seniors age groups.

Is there any blood or gore in the game?

Yes, The Patagonians contains scenes with blood.

Is this game suitable for young audiences?

No, The Patagonians is not appropriate for children to play.
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